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NTA NET Performing-Art June-2013 Solved Paper III
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Part ā I: Common to Dance, Drama, Theatre
- Assertion (A) : Swapna VasavdattaM ā² is classified as the ā² Prakara ā² type of Rupaka.
- Reason (R) : itÕs plot is based on the folk tale.
- Both A and R are true.
- Both A and R are false.
- A is true, R is false.
- A is false, R is true.
- Answer: b
- Match the items in List-I with the items in List-II:
Table Supporting: Part ā I: Common to Dance, Drama, Theatre List-I List-II - Avimaraka
- BÄl RÄmÄya
- Mahaveer Charit
- Anargh Raghav
- Rajshekhar
- MurÄri
- BhÄsa
- Bhavbhuti
- A
- B
- C
- D
- 4
- 2
- 3
- 1
- 3
- 1
- 4
- 2
- 2
- 3
- 1
- 4
- 1
- 4
- 2
- 3
- Answer: b
- Give the correct sequence on the basis of their play wrights:
- Shakuntalam, Urubhangam, Mrichhakatikam, Uttar RÄmcharitam.
- Mrichhakatikam, Uttar RÄmcharitam, Urubhangam, Shakuntalam.
- Urubhangam, Shakuntalam, Mrichhakatikam, Uttar RÄmcharitam.
- Uttar RÄmcharitam, Mrichhakatikam, Shakuntalam, Urubhangam.
- Answer: c
- Pick the odd one out:
- Karnabharam
- Madhyama Vyayoga
- Veisanharam
- Balcharitam
- Answer: c
- āAscharya Chudamaniā ā a famous Ramayana play in Sanskrit is written by
- Jaydev
- Kulsekhar
- Murari
- Shaktibhadra
- Answer: d
- Assertion (A) : Most of IndiaÕs rural theatre forms were created by Hindus for Hindus.
- Reason (R) : Bhand Jashna the rural theatre form of Kashmir is an exception to it.
- Both A and R are true.
- A is true, R is false.
- Both A and R are false.
- A is false, R is true.
- Answer: a
- Match items in List-I with the items in List-II:
Table Supporting: Part ā I: Common to Dance, Drama, Theatre List-I List-II - Bidesia
- Maach
- Nakal
- DashÄvatar
- Punjab
- Bihar
- Goa/Konkana
- Madhya Pradesh
- A
- B
- C
- D
- 1
- 2
- 3
- 4
- 3
- 1
- 4
- 2
- 4
- 3
- 2
- 1
- 2
- 4
- 1
- 3
- Answer: d
- Gve the correct sequence in respect of the state it belongs to
- Sakhi Kundhei, Putul Nautch, Pavai Kuthu, Gombeyatta.
- Putul Nautch, Sakhi Kundhei, Gombeyatta, Pavai Kuthu.
- Gombeyatta, Pavai Kuthu, Sakhi Kundhei, Putul Nautch.
- Pavai Kuthu, Putul Nautch, Gombeyatta, Sakhi Kundhei.
- Answer: b
- Pick the odd one out:
- Nautanki
- Svanga
- Bhavai
- Ramlila
- Answer: d
- The āBharatlilaā of Orissa stresses episodes concerning
- Rama and Bharata
- Arjuna and Subhadra
- Bharata and Kaikeyi
- Dashrath and Kaushalya
- Answer: b
- Assertion (A) : Dance and drama cannot be learnt in an academic institution.
- Reason (R) : Both Art forms are valued as spontaneous creations.
- A is true, R is false.
- A is false, R is true.
- A is true, R is true.
- A is false, R is false.
- Answer: b
- Match the following List-I with List-II:
Table Supporting: Part ā I: Common to Dance, Drama, Theatre List-I List-II - Mattavilasa
- Subhadra Dhananjayam
- Ascharya Chudamani
- Nagananda
- Sri Harsha
- Shakti Bhadra
- Mahendra Vikrama Pallava
- Kulashekhara Varman
- A
- B
- C
- D
- 1
- 4
- 3
- 2
- 2
- 3
- 1
- 4
- 3
- 4
- 2
- 1
- 3
- 2
- 4
- 1
- Answer: c
- Kalasutribahuliya is a form of
- Mask dance
- Puppet theatre
- Sword dance
- Stick dance
- Answer: b
- Assertion (A) : The Psychological states which are proper to a superior character should not be applied to a middling one.
- Reason (R) : Psychological states are common to middling and inferior character.
- A is false, R is true.
- A is true, R is false.
- A is false, R is false.
- A is true, R is true.
- Answer: b
- Identify the correct sequence.
- Ahalyauddharanam, Jatayu Moksham, Valivadham, Setubandhanam.
- Ahalyauddharanam, Setubandhanam, Jatayu Moksham, Valivadham.
- Setubandhanam, Ahalyauddharanam, Jatayu Moksham, Valivadham.
- Ahalyauddharanam, Jatayu Moksham, Setubandhanam, Valivadham.
- Answer: a
- Assertion (A) : Tamasha developed from Sanskrit and Prakrittradition.
- Reason (R) : Tamasha has much in common with gondhal.
- A is true, R is false.
- A is false, R is true.
- A is true, R is true.
- A is false, R is false.
- Answer: a
- Match the following:
Table Supporting: Part ā I: Common to Dance, Drama, Theatre List-I List-II - MallinathaPurana
- SangitaDarpana
- NrittaRatnavali
- KavyaPrakasha
- Jayasenapati
- Nagachandra
- Damodara
- Mammata
- A
- B
- C
- D
- 2
- 3
- 4
- 1
- 3
- 4
- 2
- 1
- 1
- 2
- 3
- 4
- 2
- 3
- 1
- 4
- Answer: d
- Assertion (A) : Modern Indian Theatre has characteristics similar to Western Theatre.
- Reason (R) : Modern Indian Theatre does not have a national character.
- A is true, R is false.
- A is true, R is true.
- A is false, R is false.
- A is false, R is true.
- Answer: a
- Haasyagaru is a buffoon in
- Kuravanji Natakam
- Yakshagana
- Kathakali
- Teru Koothu
- Answer: b
- Pick the odd one out: An Indian folk orchestra does not include
- Mardala
- Khanjira
- Clarionet
- Morsing
- Answer: c
- Identify the correct sequence:
- BhimaÕs oath, KarnaÕs oath, BhishmaÕs oath, PaanchaliÕs oath.
- KarnaÕs oath, PaanchaliÕs oath, BhishmaÕs oath, BhimaÕs oath.
- BhismaÕs oath, PaanchaliÕs oath, BhimaÕs oath, KarnaÕs oath.
- BhishmaÕs oath, PaanchaliÕs oath, KarnaÕs oath, BhimaÕs oath.
- Answer: c
- A dance presentation is
- Descriptive
- Narrative
- Narrative and Interpretative
- Interpretative
- Answer: c
- Indian architectural sites are maintained by
- UNESCO
- A. S. I.
- A. I. U.
- A. I. R.
- Answer: b
- The body attitude of a dancer/actor should indicate
- Psychological perspective
- Sociological perspective
- Aesthetic perspective
- All of the above
- Answer: d
- Select the correct sequence:
- Bharatmilap, Pattabhishekam, Shabarimoksham, Tatakavadham.
- Tatakavadham, Bharatmilap, Shabarimoksham, Pattabhishekam
- Tatakavadham, Bharatmilap, Pattabhishekam, Shabarimoksham.
- Shabarimoksham, Tatakavadham, Bharatmilap, Pattabhishekam.
- Answer: b
- Pick the odd one out: Indian Art historians and scholars
- Leela Venkatraman
- Shanta Sarabjeet Singh
- Mohan Gokhale
- Choodamani Nandagopal
- Answer: c
- Assertion (A) : Shiva danced the Gajasamhara Nritta.
- Reason (R) : After subduing Muyalaka Shiva performed this Nritta.
- A is true, R is false.
- A is true, R is true.
- A is false, R is false.
- A is false, R is true.
- Answer: a
- Which pair is not matched properly?
- Kavandi ā Shilappadi Karam.
- Shahir Amar Shakh ā Tamasha
- Chutti ā Ahaarya
- Mask ā Silambuattam
- Answer: d
- Match the following:
Table Supporting: Part ā I: Common to Dance, Drama, Theatre List-I List-II - Vipralabdha
- Khandita
- Virahotkanthita
- Proshitabhartruka
- Heroine disappointed in separation.
- Heroine deceived by hero.
- Heroine depressed in jealous anger.
- Heroine depressed with so-journing husband.
- A
- B
- C
- D
- 2
- 3
- 4
- 1
- 2
- 3
- 1
- 4
- 4
- 1
- 3
- 2
- 1
- 4
- 2
- 3
- Answer: b
- Select the correct sequence:
- Noh, Bharatanatyam, Ballet, Modern Dance.
- Ballet, Noh, Bharatanatyam, Modern Dance.
- Modern Dance, Noh, Ballet, Bharatanatyam.
- Noh, Ballet, Modern Dance, Bharatanatyam.
- Answer: a
- Assertion (A) : In BharataÕs concept of nÄtya, dance and drama are not distinct entities.
- Reason (R) : Both are knit together by the common element of Abhinaya.
- A is false, R is false.
- A is true, R is true.
- A is false, R is true.
- A is true, R is false.
- Answer: b
- Match the items in List-I with the items in List-II.
Table Supporting: Part ā I: Common to Dance, Drama, Theatre List-I List-II - Uttar Ramacharita
- Ve i Sanhar
- Mudra Rakshas
- Ratnavali
- Vishakhdatta
- Bhavbhuti
- Harsha
- Bhatt NÄrÄya a
- A
- B
- C
- D
- 1
- 2
- 3
- 4
- 2
- 4
- 1
- 3
- 3
- 1
- 2
- 4
- 4
- 3
- 2
- 1
- Answer: b
- Which is the correct sequence in Purvaranga?
- PratyÄhÄr, NÄndi, Rang DwÄr, Trigata, PrarochanÄ
- NÄndi, Rang DwÄr, PrarochanÄ PratyÄhÄr, Trigata.
- Rang DwÄr, Trigata, PrarochanÄ PratyÄhÄr, NÄndi.
- PrarochanÄ NÄndi, Rang DwÄr, Trigata, PratyÄhÄr.
- Answer: a
- Pick the odd one out:
- RÄsaka
- Hallisaka
- BhÄnika
- Ä«hÄmruga
- Answer: d
- A type of Rupaka which is a monologue in one act?
- Vyayoga
- Vithi
- BhÄ a
- UtsrustikÄnka
- Answer: c
- Assertion (A) : The Mahabharata and Bhagavata Purana had powerful hold on some Traditional Theatre Forms.
- Reason (R) : They leaned heavily upon these for their heroic themes.
- A and R are true.
- A and R are false.
- A is true, R is false.
- A is false, R is true.
- Answer: a
- Match the items in List-I with the items in List-II.
Table Supporting: Part ā I: Common to Dance, Drama, Theatre List-I List-II - Entry songs in Bhavai
- Shield and Sword used for exercises in Chhau
- Carved wooden stool used in Kutiyattam
- Pole used during the preliminaries
- Pharikhanda
- Jarjara
- Äva u
- Pitham
- A
- B
- C
- D
- 4
- 3
- 2
- 1
- 3
- 1
- 4
- 2
- 2
- 4
- 3
- 1
- 1
- 2
- 4
- 3
- Answer: b
- Which is the correct sequence in respect of the Geographical origin from North to South?
- Khyal, Tamasha, Yakshagan, Kaliyattam, Bhanda Jashna.
- Thamasha, Yakshagana, Kaliyattam, Bhanda Jashna, Khyal.
- Bhand Jashna, Khyal, Tamasha, Yakshagan, Kaliyattam.
- Kaliyattam, Yakshagan, Khyal, Bhand Jashna, Tamasha.
- Answer: c
- Pick the odd one out:
- Mizhavu
- Eddaka
- Dholak
- Kadali
- Answer: d
- This is an Indian dramatic form confined to AGRA, the home of Taj Mahal
- Bhagvat Mela
- Bhagat
- Bharatlila
- Bhamakalapam
- Answer: b
- Assertion (A) : There is a great deal to learn about Indian Civilisation from Sanskrit plays.
- Reason (R) : Sanskrit plays give a perspective of pervading views of philosophy and religion.
- A is true, R is true.
- A is false, R is true.
- A is true, R is false.
- A is false, R is false.
- Answer: a
- Putabheda is movement of
- Eyebrows
- Eyelids
- Eyelash
- Eyeballs
- Answer: b
- Assertion (A) : Indian drama avoided realism and gave scope to imagination.
- Reason (R) : Angikabhinaya was the basis of Indian drama.
- A is false, R is true.
- A is true, R is true.
- A is true, R is false.
- A is false, R is false.
- Answer: c
- Silappadikaram explains the
- 10 Rupakas
- 9 Rasas
- 8 Nayikas
- 11 Kuttus
- Answer: d
- The spirit dance of Burma is called
- Nat Pue
- Yokthe Pue
- Wayang Kulit
- Lakon
- Answer: a
- Which pair is not properly matched?
- Sutra ā Mana
- Shalabhanjika ā Vrikshikha
- Surasundari ā Gandharva
- Lokeswara ā Buddha
- Answer: c
- Which pair is not properly matched?
- Vyaghrapada ā Patanjali
- Kubhakarna ā Vibheeshana
- Karna ā Shakuni
- Urmila ā Sita
- Answer: c
- Match the following:
Table Supporting: Part ā I: Common to Dance, Drama, Theatre List-I List-II - Faithful nayaka
- Righteous nayaka
- Arrogantnayaka
- Shameless nayaka
- Dharma-vira
- Dhiroddhata
- Shatha
- Anukula
- A
- B
- C
- D
- 3
- 1
- 4
- 2
- 4
- 1
- 2
- 3
- 1
- 3
- 2
- 4
- 2
- 4
- 3
- 1
- Answer: b
- Which par is not properly matched?
- Tara ā Vali
- Madhavi ā Mahabharata
- Kunti ā Surya
- Duryodhana ā Bhanumati
- Answer: b
- Match the following:
List-I | List-II |
|
|
- A
- B
- C
- D
- 4
- 1
- 2
- 3
- 2
- 4
- 1
- 3
- 3
- 4
- 2
- 1
- 3
- 4
- 1
- 2
- Answer: d
Part ā II: Dance
- This year āPadmabhushanā is awarded to
- Dr. Sudharani Raghupati
- Dr. Kanak Rele
- Pt. Birju Maharaj
- Smt. Darshana Zaveri
- Answer: b
- Match the following:
Table Supporting: Part ā II: Dance List-I List-II - Pallavi
- Parikhanda
- Tillana
- TÄ i
- Tamasik
- Chaturanga
- Nritta
- Chhau
- A
- B
- C
- D
- 2
- 4
- 1
- 3
- 2
- 1
- 4
- 3
- 1
- 3
- 4
- 2
- 3
- 4
- 2
- 1
- Answer: d
- Gammelan is the musical orchestra in dances of
- Sri Lanka
- Cambodia
- Indonesia
- Burma
- Answer: c
- Match items in List-I with List-II.
Table Supporting: Part ā II: Dance List-I List-II - US Krishna Rao
- Tagore Samman 2012
- MV Narasimhachari
- Bharata Muni Samman 2012
- Ritha Devi
- Vasantha Lakshmi
- Kapila Vatsyayana
- Chandra Bhaga Devi
- A
- B
- C
- D
- 2
- 3
- 4
- 1
- 4
- 2
- 1
- 3
- 1
- 2
- 4
- 3
- 4
- 1
- 2
- 3
- Answer: d
- Pick the odd one out:
- Sthanaka
- Prenkhana
- Svastika
- Samapada
- Answer: d
- Which is not correctly matched?
- Match Item 1: Teermanam
- Match Item 2: Tihai
- Match Item 1: Bol
- Match Item 2: Shollu
- Match Item 1: Odissi
- Match Item 2: Jagoi
- Match Item 1: Guru
- Match Item 2: Ashan
- Answer: c
- Assertion (A) : The Indian Classical Dances are living Dance traditions.
- Reason (R) : Practices and perceptions of what is correct in the style are in a constant flux.
- A is true, R is true.
- A is true, R is false.
- A is false, R is false.
- A is false, R is true.
- Answer: a
- Mach items in List-I with List-II:
Table Supporting: Part ā II: Dance List-I List-II - Saing
- Khon
- Wayang Kulit
- Lao Phene
- Thailand
- Indonesia
- Laos
- Burma
- A
- B
- C
- D
- 3
- 2
- 1
- 4
- 4
- 1
- 2
- 3
- 2
- 4
- 3
- 1
- 1
- 3
- 4
- 2
- Answer: b
- Assertion (A) : Ashtapadis are danced in all classical dance styles.
- Reason (R) : These Ashtapadis are represented in sculpture.
- A is true, R is true.
- A is false, R is false.
- A is true, R is false.
- A is false, R is true.
- Answer: c
- This is performed during Narasimha Jayanti festival.
- Kuchipudi
- Yakshagana
- Kudiyattam
- Bhagavata Mela Nataka
- Answer: d
- Which of the following pairs is not correctly matched?
- Match Item 1: Goshtalila
- Match Item 2: Manipuri
- Match Item 1: Ojapali
- Match Item 2: Assam
- Match Item 1: Atabhagavatam
- Match Item 2: Kuchipudi
- Match Item 1: Gollakalaapam
- Match Item 2: Kerala
- Answer: d
- The dance of Telugu temple-court dancers is
- Sadir Attam
- Vilasini Natyam
- Mohini Attam
- Kuravanji Natakam
- Answer: b
- Match items in List-I with List-II.
Table Supporting: Part ā II: Dance List-I List-II - Kaksar
- Poykkaalkudirai
- Tipri
- Chapeli
- Tamil Nadu
- Maharashtra
- Uttarakhand
- Madhya Pradesh
- A
- B
- C
- D
- 4
- 1
- 2
- 3
- 2
- 3
- 1
- 4
- 3
- 1
- 4
- 2
- 4
- 1
- 3
- 2
- Answer: a
- The dancers hold sticks in their hands
- KaragÄttam
- Athango
- Chirmi
- Dangi
- Answer: b
- Pick the odd one out: Music is used in
- Adavu
- Gat Bhaav
- Alarippu
- Tarangam
- Answer: b
- Assertion (A) : A study of the colours and their psychology is important for a Kathakaliartiste.
- Reason (R) : The colours make a Kathakali artiste look majestic and grand.
- A is true, R is true.
- A is false, R is false.
- A is true, R is false.
- A is false, R is true.
- Answer: c
- Match items in List-I with List-II.
Table Supporting: Part ā II: Dance List-I List-II - Rani Karna
- Rajendra Gangani
- Krishna Mohan Mishra
- Vasvati Mishra
- Nrityang
- Jeevan Dhvani
- Anadi Anant
- Satrang
- A
- B
- C
- D
- 2
- 2
- 4
- 1
- 4
- 3
- 1
- 2
- 4
- 3
- 2
- 1
- 3
- 4
- 2
- 1
- Answer: b
- Assertion (A) : A classical dancer of 21st Century lacks cultural and political dilemmas.
- Reason (R) : The choreography must not move beyond geographical interpretations.
- A is false, R is true.
- A is true, R is true.
- A is true, R is false.
- A is false, R is false.
- Answer: d
- Select the correct sequence according to age:
- Parvati Kumar, Birju Maharaj, Singajit Sinha, Rati Kanta Mahapatra.
- Birju Maharaj, Singajit Sinha, Parvati Kumar, Rati Kanta Mahapatra.
- Rati Kanta Mahapatra, Birju Maharaj, Parvati Kumar, Singajit Sinha.
- Singajit Sinha, Parvati Kumar, Birju Maharaj, Rati Kanta Mahapatra.
- Answer: a
- Assertion (A) : Indian Modern Contemporary dance is an imitation of the west.
- Reason (R) : Indian dancers include choreography based on Indian classical styles sometimes.
- A is false, R is true.
- A is true, R is true.
- A is true, R is false.
- A is false, R is false.
- Answer: a
- Which pair is not matched correctly?
- Darshana Jhaveri ā Sukha Saari Dvandva
- Kanak Rele ā Shilappadi Karam
- Vyjantimala ā Sant Sakku
- Kelucharan Mahapatra ā Discovery of India
- Answer: d
- Select the correct sequence.
- Rupaka Tala, Jampa Tala, Mattiya Tala, Ata Tala.
- Mattiya Tala, Rupaka Tala, Jampa Tala, Ata Tala.
- Ata Tala, Rupaka Tala, Mattiya Tala, Jampa Tala.
- Mattiya Tala, Rupaka Tala, Ata Tala, Jampa Tala.
- Answer: c
- Pick the odd one out:
- Maakhan char
- Kevatprasang
- Bakasennavadha
- Kuvalayapidha
- Answer: b
- Kummin is worn by a dancer of
- Sattriya
- Odissi
- Manipuri
- None of the above
- Answer: c
- Pick the odd one out:
- Pragalbha
- Adheera
- Para kiya
- Padmini
- Answer: d
Part ā III: Drama, Theatre
- The recently published book āIndian Method in Actingā is written by
- Kumar Verma
- Prasanna
- M. L. Varadpande
- H. V. Sharma
- Answer: b
- Match the items in List-I with the items in List-II.
Table Supporting: Part ā III: Drama, Theatre List-I List-II - Irish system in light
- DMX system
- LED PAR
- Moving Head
- Auto Colour changer
- Controlling Factor
- Intelligent light
- Dimmer
- A
- B
- C
- D
- 3
- 4
- 2
- 1
- 2
- 4
- 1
- 3
- 4
- 1
- 3
- 2
- 1
- 3
- 2
- 4
- Answer: b
- Assertion (A) : Scenography bridges the gap between the Designer and Director.
- Reason (R) : All Designers are Directors.
- Both A and R are true.
- A is true, R is false.
- Both A and R are false.
- A is false, R is true.
- Answer: b
- Give the correct sequence according to their corresponding value:
- Down Right, Down Left, Down Centre, Up Right.
- Down Centre, Down Right, Down Left, Up Right.
- Down Left, Down Centre, Down Right, Up Right.
- UP Right, Down Left, Down Right, Down Centre.
- Answer: b
- Pick the odd one out:
- Mohan Maharshi
- Amal Allana
- Bhanu Bharti
- Manohar Singh
- Answer: d
- The production of āAndha Yugā at Purna Quila by E. Alkazi opened the doors for a kind of theatre in India which is known as
- Dance Theatre
- Visual Theatre
- Realistic Theatre
- Applied Theatre
- Answer: b
- Match the items in the List-I with the items in List-II.
Table Supporting: Part ā III: Drama, Theatre List-I List-II - Beijing Opera
- Indian Classical Theatre
- Pandvani
- Ancient Greek Thatre
- Rangpatti
- Tragic Mask
- Stylized Make up
- Tambura
- A
- B
- C
- D
- 2
- 3
- 1
- 4
- 1
- 4
- 2
- 3
- 3
- 2
- 4
- 1
- 3
- 1
- 4
- 2
- Answer: d
- Assertion (A) : It is not essential for a theatre academician to be a practitioner.
- Reason (R) : Practice never expands the dimension of theatre academics.
- Both A and R are true.
- A is true, R is false.
- A is false, R is true.
- Both A and R are false.
- Answer: b
- Give the correct sequence in respect of the five fundamentals of Play-Direction.
- Movement, Pantomimic Dramatization, Rhythm, Composition, Picturization.
- Picturization, Rhythm, Movement, Composition, Pantomimic Dramatization.
- Composition, Picturization, Movement, Rhythm, Pantomimic Dramatization.
- Pantomimic Dramatization, Rhythm, Movement, Picturization, Composition.
- Answer: c
- Pick the odd one out
- Niranjan Goswami ā Mime
- Dadi Padmjee ā Make up
- Kanishka Sen ā Lights
- Roshan Alkazi ā Costumes
- Answer: b
- The Visual design of the production of Ratan ThiyamÕs āWhen we dead awakenā has borrowed the elements of
- Realism
- Surrealism
- Expressionism
- Impressionism
- Answer: b
- Match the items in List-I with the items in List-II.
Table Supporting: Part ā III: Drama, Theatre List-I List-II - Peter Brook
- Eugeno Barba
- Rchard Schechner
- Jerzi Grotowski
- Performance theory
- towards a poor theatre
- The Mahabharata
- Theatre Anthropology
- A
- B
- C
- D
- 1
- 2
- 3
- 4
- 3
- 4
- 1
- 2
- 4
- 1
- 2
- 3
- 2
- 3
- 4
- 1
- Answer: b
- Assertion (A) : In theatre, the director composes his actors in relation with the space.
- Reason (R) : The actor-space relationship brings meaning to the production.
- A is true, R is true.
- A is false, R is true.
- A is false, R is false.
- A is true, R is false.
- Answer: a
- Give the correct sequence in respect of making of the sets.
- Idea, Sketch, Drawing, Model, Fabrication.
- Sketch, Idea, Drawing, Fabrication, Model.
- Model, Sketch, Idea, Drawing, Fabrication.
- Idea, Model, Sketch, Drawing, Fabrication.
- Answer: a
- Pick the odd one out:
- Contrast
- Domination
- Isolation
- Interpretation
- Answer: d
- The prime element that plays a vital role in Girish KarnÄrdÕs NÄg Mandal is
- The Diction
- The Design
- Contradiction of Day and Night
- Realistic Approach
- Answer: c
- Match the items in List-I with the items in List-II.
Table Supporting: Part ā III: Drama, Theatre List-I List-II - Seagull
- Dr. Faustus
- Caretaker
- Zoostory
- Christopher Marlowe
- Herold Pinter
- Edward Albee
- Anton Chekhov
- A
- B
- C
- D
- 4
- 1
- 2
- 3
- 3
- 2
- 4
- 1
- 1
- 2
- 3
- 4
- 2
- 4
- 1
- 3
- Answer: a
- Assertion (A) : Peter Brook has directed ShakespeareÕs A Midsummer Nights āDreamā
- Reason (R) : Peter Brook has directed only Shakespearean plays.
- Both A and R are false.
- A is true, R is false.
- A is false, R is true.
- Both A and R are true.
- Answer: b
- Give the correct sequence in respect of their first entry in the play āEvam Indrajeetā
- Mousi, Mansi, Kamal, Bimal, Amal, Indrajeet, Writer.
- Amal, Bimal, Kamal, Indrajeet, Mansi, Mausi, Writer.
- Indrajeet, Mausi, Writer, Mansi, Kamal, Bimal, Amal.
- Writer, Mausi, Mansi, Amal, Bimal, Kamal, Indrajeet.
- Answer: d
- Pick the odd one out:
- Albert Camus
- Bernard Shaw
- Ionesco
- Jean-Paul Sartre
- Answer: b
- The distinctive style of English, Comedy of Humours was popularized by
- William Congreve
- John Dryden
- Ben Johnson
- John Arden
- Answer: c
- Match the items in List-I with items in List-II.
Table Supporting: Part ā III: Drama, Theatre List-I List-II - KalidÄs
- Bhaurao
- Savitri
- Padmini
- RamÄa
- Devdutta
- Mallika
- Mahendranath
- A
- B
- C
- D
- 1
- 2
- 3
- 4
- 3
- 1
- 4
- 2
- 2
- 3
- 1
- 4
- 4
- 3
- 2
- 1
- Answer: b
- Assertion (A) : The modern play āDeath of a Salesmanā reflects the shattering dream of American Society.
- Reason (R) : Any play is a product of its own culture.
- Both A and R are false.
- A is true, R is false.
- A is false, R is true.
- Both A and R are true.
- Answer: d
- Pick the odd one out:
- Vijay Tendulkar
- Mahesh Dattani
- Mohan Rakesh
- Dharmaveer Bharti
- Answer: b
- Given the correct sequence of the following Brechtian plays:
- Caucasian chalk circle, Drums in the Night, Mother Courage, Three Penny Opera.
- Drums in the Night, Three Penny Opera, Mother Courage Caucasian Chalk Circle.
- Three Penny Opera, Mother Courage, Caucasian Chalk Circle, Drums in the Night.
- Mother Courage, Caucasian Chalk Circle, Drums in the Night, Three Penny Opera.
- Answer: b